Keika hyakugiku Pl.23 by Keika Hosegawa
Plate 23 is one of the series' most striking bicolor studies — a cultivar whose petals transition sharply from a deep magenta-crimson at the outer edge to a pale cream at the base, the boundary between zones crisp and unpetalled. Hosegawa renders this banding with layered woodblock registration of high precision; the color boundary does not blur. The single large bloom fills the upper two-thirds of the vertical format, a single bud and stem curving beneath it in a composition that feels both monumental and intimate. The 1893 series reached a technical and artistic peak in plates like this one.
The bicolor petal banding of this cultivar — its crisp magenta-to-cream gradient — is exactly where canvas excels. This canvas print from our Berlin studio uses the woven surface to deepen the crimson tones and add tactile presence to what, on paper, risks reading as flat graphic intensity. The result is notably warm and physical.
Plate 23 is one of the series' most striking bicolor studies — a cultivar whose petals transition sharply from a deep magenta-crimson at the outer edge to a pale cream at the base, the boundary between zones crisp and unpetalled. Hosegawa renders this banding with layered woodblock registration of high precision; the color boundary does not blur. The single large bloom fills the upper two-thirds of the vertical format, a single bud and stem curving beneath it in a composition that feels both monumental and intimate. The 1893 series reached a technical and artistic peak in plates like this one.
The bicolor petal banding of this cultivar — its crisp magenta-to-cream gradient — is exactly where canvas excels. This canvas print from our Berlin studio uses the woven surface to deepen the crimson tones and add tactile presence to what, on paper, risks reading as flat graphic intensity. The result is notably warm and physical.
Original: $38.84
-65%$38.84
$13.59Description
Plate 23 is one of the series' most striking bicolor studies — a cultivar whose petals transition sharply from a deep magenta-crimson at the outer edge to a pale cream at the base, the boundary between zones crisp and unpetalled. Hosegawa renders this banding with layered woodblock registration of high precision; the color boundary does not blur. The single large bloom fills the upper two-thirds of the vertical format, a single bud and stem curving beneath it in a composition that feels both monumental and intimate. The 1893 series reached a technical and artistic peak in plates like this one.
The bicolor petal banding of this cultivar — its crisp magenta-to-cream gradient — is exactly where canvas excels. This canvas print from our Berlin studio uses the woven surface to deepen the crimson tones and add tactile presence to what, on paper, risks reading as flat graphic intensity. The result is notably warm and physical.
