The Sirius Building by Nico Tracey
The Sirius Building is one of Sydney's most contested pieces of Brutalist heritage, and Nico Tracey approaches it with a collage sensibility that matches the building's own fractured history. Geometric forms layer over one another in a compressed, high-contrast composition — hard architectural lines interrupted by graphic bursts of colour and texture. The mood is simultaneously documentary and declarative, blending a visual record of the structure with the tension of a modernist poster. There is a clear political energy here, quiet but undeniable.
Produced as an archival fine art print in Berlin, the graphic precision of Tracey's work — its clean edges, flat colour fields, and layered detail — is rendered with full sharpness on matte paper. Every compositional element holds its weight.
The Sirius Building is one of Sydney's most contested pieces of Brutalist heritage, and Nico Tracey approaches it with a collage sensibility that matches the building's own fractured history. Geometric forms layer over one another in a compressed, high-contrast composition — hard architectural lines interrupted by graphic bursts of colour and texture. The mood is simultaneously documentary and declarative, blending a visual record of the structure with the tension of a modernist poster. There is a clear political energy here, quiet but undeniable.
Produced as an archival fine art print in Berlin, the graphic precision of Tracey's work — its clean edges, flat colour fields, and layered detail — is rendered with full sharpness on matte paper. Every compositional element holds its weight.
Original: $21.18
-65%$21.18
$7.41Description
The Sirius Building is one of Sydney's most contested pieces of Brutalist heritage, and Nico Tracey approaches it with a collage sensibility that matches the building's own fractured history. Geometric forms layer over one another in a compressed, high-contrast composition — hard architectural lines interrupted by graphic bursts of colour and texture. The mood is simultaneously documentary and declarative, blending a visual record of the structure with the tension of a modernist poster. There is a clear political energy here, quiet but undeniable.
Produced as an archival fine art print in Berlin, the graphic precision of Tracey's work — its clean edges, flat colour fields, and layered detail — is rendered with full sharpness on matte paper. Every compositional element holds its weight.
